#Damaged goods chords free#

In Heavenly’s case, the criticism easily and often veered towards sexism.

Instead of wearing a T-shirt held together with safety pins, you rocked anoraks and cardigans you were probably a bit dweeby.Ĭritics reviled indie poppers for their “shambling” songs about crushes and heartache, grade school outfits, and embrace of “girly” qualities like sensitivity or softness.

So maybe if you identified with the punk spirit but weren’t angling for anarchy, you became an indie pop kid. But punk was associated with fearlessness, or at least the facade of that confidence. Both scenes touted the belief that anyone could make music on their own terms, that mistakes were something to be celebrated. In its earliest days, indie pop was a parallel movement to punk. Like other Sarah bands, Heavenly’s style-both music and aesthetic-was polarizing. It was only fitting that Heavenly would sign to Sarah Records, the beloved Bristol label known for releasing music made by introspective wallflowers. Built around upbeat melodies, ’60s pop harmonies, and a staunchly optimistic view of love (purely romantic, rarely sexual), these new songs were tighter than any of Talulah Gosh’s offerings. But as suggested by the project’s early singles, “I Fell in Love Last Night” and “Our Love is Heavenly,” Heavenly would (for the most part) iron the punk wrinkles out of their songs. After all, the two bands shared nearly identical lineups: Fletcher, her brother Mathew, Peter Momtchiloff, and Robert Pursey (a few years later they were joined by Cathy Rogers). At first, Heavenly might have appeared to be a continuation of Talulah Gosh under a different name. He carries you to groaning turgid depths then lifts you as electric guitar glides and synthesizers gurgle, shudder, and swell in an Aurora Borealis of sound.During their seven years of existence, Heavenly released four studio albums, but a recent singles collection, A Bout De Heavenly, makes the case that some of their most magical work existed in smaller formats.

#Damaged goods chords free#

Roach is creating a free fall through space, less rooted in the pulsing techno-tribal sound of his 1990s music and more ecstatic in its evocations of something beyond. 'It floats in a space of richly detailed but minutely shifting sound constructs that owe more to Gyorgy Ligeti and Mark Rothko than early Roach touchstones like Klaus Schulze and Salvador Dali. “Steve Roach has created an ambient masterpiece: a varied collection of totally absorbing, immersive soundworlds, clearly a milestone in electronic music.' This release offers a listening experience creating a new sense of 'ambient orchestration' through a constantly shifting flow of textures that enter a sacred realm of music.” Roach's awe-inspiring sonic immersion delves into a spiritual dimension of sound.

His landmark statements - including Dreamtime Return, Magnificent Void and Structures from Silence - are all parts of the uninterrupted flow which built to this 2003 release. Moving into the majestic realm of pure, non-rhythmic electro-acoustic soundworlds, these four discs are a milestone from a true artist of sound. On the 20th anniversary of Roach's breathtaking album, Projekt collects all four parts into a single release - close to five hours of electronic ambient music. “Abandoning all conventional notions of music as melody, harmony and rhythm, Mystic Chords & Sacred Spaces allows the listener blissful hours on the high frontier between deep listening music and the spirituality of pure sound.